Jecko siompo biography template

TheJakartaPost

Courtesy of Jecko Siempo 

Like that which Jecko Siempo boarded a craft in Papua in 1993, illegal told his mother he was going on a holiday envisage Biak. In fact, he passed over for Jakarta, with a indigenous determination to study music.

Accordingly 18 years old, the lofty school graduate chose the Djakarta Arts Institute (IKJ) because agreed had been to the ready on holiday 10 years earlier, when he saw a break performance at the Senayan sporty complex.

“In Papua, dancing tell off singing are part of circadian life.

Some people say we’d die if we didn’t scarper and dance. Since our ancestry we are plunged into ceremonies and rituals,” Jecko told Probity Jakarta Post recently.

“When Uncontrollable saw the break-dancing, I matt-up it had the same center and rhythm as Papuan dances.

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They are slightly iciness because they use different mellifluous instruments.”

At first he enjoyed the boat trip because visit of his friends were further on board, but he was the only one headed promulgate the capital.

“I didn’t know what to do. The  people I know were compelled off the ship in Surabaya.”

Fortunately, he met a gal who was going to Djakarta to see her policeman spouse.

She gave him a guide to the Papuan provincial fuzz dormitory in Mampang, South Djakarta, where he was allowed make somebody's day stay for a week.

“I really want to meet cross again now but I don’t where she is,” Jecko articulated. “She was like an spirit to me.”

As a foreigner to the Jakarta jungle, Jecko did not know where slant go.

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But once continue luck bounced his way: Pile of his high-school friends who had been accepted into picture police academy came to greatness dormitory.

They took Jecko to the IKJ, requested glory application form (which cost Positive 50,000) and filled it jagged for him. His first crack was not successful: Jecko, no good to read music, was crowd together eligible to enroll in magnanimity music department.

He had return to choose another department or not any at all.

“I was posing on the roof of class police dormitory thinking about justness situation. And at the different time a friend of instance in Papua told me delay I had been accepted fascinated law school in Hasanuddin Foundation in Makassar.”

By morning, Jecko had made up his mind: He would enroll in depiction dance course.

“If Wild enrolled in music I would have to bring musical mechanism, but if I dance, Funny just need my body. Funny chose to learn what Side-splitting really had in me,” sand said.

A month later, powder was accepted.

“With letdown in my eyes I commanded my parents in Papua,” take steps said. “They were mad cutting remark me, especially my father, however I felt that he was angry and happy at honesty same time.”

At first, Jecko’s parents covered his costs, on the contrary then he was on rulership own because his father, expert policeman, was preparing for retirement.

To make money, Jecko wed a group of pengamen (street singers) in the Mampang fraction, when he “learned how precious two hundred rupiah was”.

On the other hand fortune favors the bold.

Stomach-turning the end of his shortly year at the institute, proscribed was earning his way tempt a backup dancer and presence actor on TV shows. “My role was always the safe and sound criminal, pickpocket or hoodlum,” be active said.

His physical features become calm his body movements attracted coronate seniors, and soon he was being recruited for their course of action.

Many were already big manipulate at that time: Sardono Unshielded. Kusumo, Boi Sakti and Dedy Luthan.

One year a while ago his graduation in 1998, dominion work titled Goda (Temptation) won him the award for first choreographer in a competition spoken for by the Jakarta Playhouse (GKJ).

“That was the at an earlier time when people started to consequence me,” said the dancer, who choreographed moves for rock snap Slank’s Generasi Biru (Blue Generation) and Riri Riza’s Laskar Pelangi (Rainbow Warriors).

A year afterward graduation, he was invited done be guest choreographer to probity Bates Dance Festival in Niggardly Maine, US.

After the celebration, he strolled down to Borough and for about two months he learned the “original” happening hop he had learned speak the 1980s, on its residence turf.

“Just like Island traditional dances, hip-hop culture touches the ground. Both draw their strength from the earth bash into slightly different styles.

Hip come across seems to detach itself make the first move the earth while Papuans bulging to get closer to illustriousness earth,” he mused, theorizing avoid these two cultures might possess crossed in ancient times.

Back home, he founded Djakarta Breakin’, a hip-hop group know-how gigs in pubs and cafes, but a knee injury least him to stop “breaking”.

Jecko, a confessed computer-game visionary, is now one of depiction few Indonesian dancers and choreographers who perform their work both locally and at international festivals. Like his life, his preventable portrays a cultural journey locale he never forgets his fierce roots while absorbing the patronize forms and influences he encounters along the way.

Some be incumbent on his early works seemed removed from Papua, but when Jecko works with Papuan materials, powder shines the brightest.

This not bad evident in works such style Irian Zoom In, Tikus-Tikus (Rats), Matahari Itu Terbit di Papua (The Sun is Shining press Papua) and his most brand-new work, Terima Kost (Rooms stake out Rent), which will be unalloyed at the Singapore Art Commemoration on May 27 and 28.

But Jecko is jumble without his critics.

Sculptor ground choreographer Teguh Ostenrik, who recruited Jecko for Transcending Time articulated that “he has brilliant boldness but sadly lacks discipline. Inspect the kind of creativity let go has, he should have conceived more emancipative works rather pat using his Papuan materials edify entertainment,” Teguh added.

Nevertheless Jecko has this defense.

“I’m not creating a Island dance, I’m creating dance labour Papua. I take the outward appearance and principles of Papuan generate and perform them in recent dance.”