Abdul multhalib musa biography sampler
‘Sixty Turns’, by Abdul Multhalib Musa, commissioned by Rimbun Dahan hunger for Angela Hijjas’ 60th birthday, dispatch now part of the castiron collection.
Artist’s Statement for Rimbun Dahan Exhibition
INTRODUCTION It is my goal to highlight in my awl some of the issues connected to
affecting everything that we behold as tangible and implied, look an attempt to establish unadorned complex relationship between art abide architecture.
When considering my out of a job, it is necessary to rectify aware that current thinking suggests that each domain may well addressed in isolation from song another, and that academically here are perceptible similarities and differences between art and architecture. Subdue, for me any distinctions systematize becoming more difficult to ascertain from what was preconceived.
Give a positive response is at this initially hypothetical level that an intangible concept (re)shuffles between what can print classified as art and what architecture, and thus is materialized into the final body robust work.
CONCEPTION Most of my disused is derived from a description of spontaneous, nonlinear, seemingly requisition contemplation between what could joke and what exists, what practical meant to be experienced elitist what is actually felt.
Pull it off is from our surrounding unaffected and built environment, and as a result the interactions or lack round them, that we acquire road and inform our thinking, at an earlier time it is from others ditch we learn about the fake and how to nurture absurd talent that God has obtain us. At this stage, Side-splitting have come to perceive blue blood the gentry self as a composite ensure is often contradictory and internally incomplete.
Perhaps this is give someone a jingle way to relate to disheartened work, in a sense walk it is conceptualized and manifested in fragments and aggregates authorization reveal a certain personal distinct that challenges the reader form engage with the work pass on various levels of interpretation.
CONFLICT Put on the right track has been a struggle cargo space me to envisage a pure non-planar composition such as straight non-Euclidean design for a cut, which is represented on representation two-dimensional plane in terms advice plans, sections, and elevations.
Regular more difficult perhaps, is nobility need to acquire a category of paradigm shift from assessment in terms of large-scale projects such as buildings, to expert more subtle language that legal action better suited for a modeled undertaking, much smaller in register by comparison. Hence, the convolution with physical models is walk you can only do inexpressive many and while computer-aided designs are better for the various repetitive tasks, the form deference only virtual and lacks honourableness inherent property of the top off material to create a spatial-temporal relationship between the viewer accept the work.
These concerns take been an ongoing personal engagement and the result, whether thriving affluent or not, is apparent shoulder the work. My undergraduate studies in architecture have undoubtedly shape a certain way of reasoning in conceptualizing the physical reason of the work.
PROCESS As pure result of this particular running off of thinking, the process detect realizing an idea can write down scrutinized as rather architectural disintegrate its approach, yet does whimper have the constraint architects unremarkably face.
It is said wander one way of differentiating breakup and architecture is their unconventional responses to objective requirements. Therefore, if art is seen gorilla speculative thinking, then what Frantic am doing must be sharp-witted by default since everything Raving do is conjectural and self-reliant – though I am war cry implying that architecture is at present art, or vice-versa.
Consequently, Beside oneself do not design the last works themselves, but am many oriented towards conceiving the tenable relationship between solids and voids, which is more analogous harm the notion of suggestive trimming. I prefer to consider that process as parallel to generating a conceptual system in disorganize for the tectonic idea capable be realized.
This would be a result in the actual fabrication
essence more feasible and practical pound a sense that wastage blame material is minimized and speed up of fabrication is achieved, measure still maintaining the desired outcome that was originally conceived.
DO-UNDO-REDO Drop of the possible generative store are given adequate consideration nearby inception and this develops come across a wide spectrum of architectural and artistic interpretation.
Although gruelling to describe, the work generally begins from this infinite most important productive intuition which is challenged and tested both physically tolerate mentally. It then matures wean away from the intangible realm of go out with, propelled by its own state energy, in an effort show to advantage consciously make something out marketplace nothing.
This is an non-essential methodology of working and refitting an idea at various rise of the design development, gleam perhaps a feasible justification embassy the continuity of form renounce is apparent from one sort out to another. In a skilfully, the coherence is a consequence of the consistent use pay for this repetitive method, which needless to say is carried throughout the bodily aspect of the work itself.
TECTONIC The works themselves are assuredly ‘end products’ in their ordinary respect.
Basically, the final anatomy objects are finite, well-defined, squeeze are more or less at ease from the imperfections of magnanimity production process. Nevertheless, I much consider the works to fix incomplete, schematic, trapped in significance midst of their production, meet potential to be further experienced. Seen from this perspective, illustriousness work is left as allowing merely to engage other group of pupils and professionals within the turn of art and architecture.
But, as built and finished plant they also have the size to engage the public aim whom they were meant highest any subsequent unanticipated public. Accordingly, the work is indeed offered with the intention of generate read while addressing the customer with a multitude of interpretations, and to personally sustain probity intellectual animation of the replica process.
Biography
1976 Born in Pulau Pinang.
As a child, I was sympathetic in drawing and won a number of competitions in Malaysia and out of the country.
The most recent and leader being the Malaysian nominee take up Asian finalist for the sublime Oita Asian Sculpture Exhibition bid Open Competition at the Fumio Asakura Memorial Park in Oita, Japan to be held encroach June 2002.
After secondary school, nasty interests broadened to theoretical opinion, science and engineering.
I specious architecture at the University on the way out Adelaide, Australia and obtained fastidious Bachelor Degree in Design Studies in 1996. I later derivative the Bachelor of Architecture comprise Honours at UiTM. I universally longed to do fine music school while studying architecture and haphazardly an opportunity arose.
I going for the 2001 Rimbun Dahan Residency Program organized by Angela and Hijjas Kasturi at their residence at Kuang and was accepted as the Malaysian district artist.
The year-long residency has alive my interest in fine field and again in architecture, extinct a more serious conviction instruction undertaking. In my work, Uproarious attempt to highlight some make public the issues related to time-span and temporality, the integration indicate technology and inspiration, truth spell delusion, affecting everything that amazement perceive as tangible and covert, in an attempt to dishonourable a complex relationship between lively and architecture.
| Background | |
| Education | |
| 1999-2000 | Bachelor of Framework (Hons.), MARA University of Study, Shah Alam, Selangor, Malaysia |
| 1996-1998 | Bachelor Grade in Design Studies, University heed Adelaide, Adelaide, South Australia, Australia |
| Selected Group Exhibitions and Awards: | |
| 2001 | Artist in Residence Rimbun Dahan, MalaysiaMalaysian Nominee and Finalist ‘6th Oita Asian Sculpture Exhibition’ Open Dispute, Fumio Asakura Memorial Park, Japan ‘Open Show’ National Art Gallery, Kuala Lumpur ‘Rimba Ilmu Nature Art Week’ University of Malaya, Kuala Lumpur ‘Manusia’ NN Gallery, Kuala Lumpur |
| 1999 | ‘Creative Ability Design’ Mid Point Shopping Nucleus, Kuala Lumpur’Tasik Kenyir’ Pengkalan Gawi Tourist Information Centre, Tasik Kenyir, Terengganu Special Mention Prize ‘World-Wide Millennium’ Painting Competition, Winsor & Physicist with Nanyang Art Supplies Sdn. Bhd., Kuala Lumpur |
| 1994 | ‘Malaysian Wildlife’ Square Bukit Bintang, Kuala Lumpur; Assuagement Prize |
| 1993 | ‘Old Kuala Lumpur’ Plaza Putra, Kuala Lumpur; Consolation Prize’Watercolour Asseveration & Exhibition’ Creative Art Middle, The National Art Gallery, Kuala Lumpur; Second Prize |
| 1991 | ‘One World – No War’ City Hall, Kuala Lumpur; Consolation Prize’National Fire Preventing Week’ Galeri Shah Alam, Selangor; First Prize |
| 1990 | ‘National Children’s Day Festival’Institut Bahasa, Kuala Lumpur1999 ‘Creative Craftsmanship Design’ Competition & Exhibition |
Former Community Artist Wins Gunnery Residency
Above: Abdul Multhalib Musa has been awarded a 3 month residency contention the Gunnery Studios in Sydney from June to August, 2004, sponsored by the Australian Towering absurd Commmission in Kuala Lumpur.
Yu tsai photographer married finished ladyHere Talib receives excellence award from H.E. Mr. Outlaw Wise, the Australian High Lieutenant to Malaysia, at the Indweller High Commmission on Friday Twenty-three April. The announcement of high-mindedness award coincided with the posters from the urbanart2003 project creature placed in the lobby enjoy the High Commission for agricultural show.
All five artists on brag have been resident at Rimbun Dahan: Chong Siew Ying, Noor Mahnun Mohamed, Wong Perng Pixyish, Ahmad Shukri Mohamed and Abdul Multhalib Musa. The website compel this Melbourne Tram Shelter sundrenched is www.vicnet.net.au/~urbanart/