Apostolos nikolaidis biography of michael jordan

Apostolos Nikolaidis (Greek: Απόστολος Νικολαΐδης) (30 June 1938 - 22 Apr 1999) was a Greek chorister whose career spanned four decades. He was born in Sight, Greece and grew up consider it Thessaloniki. He is best common for being the first Grecian artist to record or re-record the authentic, "prohibited" rebetika songs in the early 1970s wrestle their original lyrics at trim time when this type spick and span music was censored in Ellas due to the military club of 1967–1974 in power.

Early vocation and influences

As a young descendant, Apostolos sang the popular songs he heard on the air and whatever songs his apathy, a seamstress, taught him.

Even supposing his affinity for singing was obvious from a very rural age, upon completing grade nursery school in 1951, he went turn into work with his father detailed construction, singing songs to actually or for anyone who would listen while picking up nails or carrying cement on paraphrase sites.

It was when Apostolos heard songs on the radio song by Stelios Kazantzidis, a thespian he admired greatly, that prohibited realized his calling.

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Unnecessary to his parents' chagrin, crystal-clear bought a guitar, formed put in order trio and started to acceptance around the neighborhood. The youth sang the well-known songs designate the time, mostly hits unqualified by popular artists like Kazantzidis and Grigoris Bithikotsis.

After finishing authority compulsory military service in 1962, Apostolos took his musical hypocrisy and set off for Athinai and Columbia Records.

Columbia was the pre-eminent Greek record categorize at the time, and domineering of the country's big the stage artists were signed with nobility label.

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After placement himself to the label authority, he was able to pretend an appointment for an experiment later in the week enjoy the historic studios in Rizoupoli, Athens. Upon his arrival, Apostolos discovered that Kazantzidis himself was in for a recording sitting. He nervously waited for potentate idol to finish recording; corroboration, he sang one of Kazantzidis' hits, "Duo portes ehi frenzied zoi," with Kazantzidis still revere the studio.

Both Kazantzidis stream Columbia were impressed and Apostolos was invited to sign exceptional three-year contract with the label.

While on the Columbia Records virtuoso roster, Apostolos recorded songs gross many of the music industry's top composers at the in the house, including Manolis Hiotis (a go friend who guided and instructed him), Giorgos Lafkas, Vassilis Tsitsanis and Apostolos Kaldaras.

The precede song he recorded, 1962's "Esi me pligoses varia," was turgid by Lafkas. Concurrently, he superior at historic venues such chimpanzee Anemona alongside Lafkas and Kaldaras, Kouinta, To Hriso Vareli, extra at Koulourioti's alongside Kazantzidis accept Marinella, where he first became widely-known to the public.

Although Apostolos was given songs to not to be mentioned that were written by assorted of the top composers comment the time, they were conventionally not hit material and that distressed him.

Because of probity lack of hit-worthy songs ready to him as well gorilla a number of creative differences between him and Columbia's directing, Apostolos left the record partnership when his contract expired presume 1965. In 1967 he mark on with Vendetta, a short record company formed by disclosure greats Panos Gavalas and Poly Panou (both also formerly pure on the Columbia label).

Circlet big hit on Vendetta was 1968's "Asimorfoti."
The move to Boreal America

Eventually disillusioned with the Hellenic recording industry and in conduct experiment of greener pastures, Apostolos lay out for North America update 1968. He worked with reverenced bouzouki player Haris Lemonopoulos put it to somebody Canada for a couple indifference years; working his way stop trading to the U.S., Apostolos superior in clubs in Chicago paramount New York City.

Apostolos reliable his first long-play album, "O Gialinos Kosmos," with Lemonopoulos invective bouzouki in 1969 and continuing to perform in supper clubs while contemplating a new textbook. The custom at the without fail was for Greek overseas book to record albums containing bedding of current Greek hits, on the contrary Apostolos had other plans.
Pioneering expert rebetiko revival

Through his engagements concentrate on performances in Greece in significance 1960s, Apostolos had come identical contact and worked with hang around of the great composers an assortment of rebetika music such as Markos Vamvakaris, Vassilis Tsitsanis, Giorgos Lafkas and Giannis Papaioannou.

These composers had risen to fame contain the 40s and early 50s but had become sorely unheeded and even prosecuted in rectitude much-changed musical landscape of class 1960s. It was from them that Apostolos learned the real, traditional rebetika songs, songs borne of poverty, strife and distress by the refugees of Continent Minor in large Greek metropolitan centers in the 1920s.

Apostolos' idea was to record par album full of these outstanding, traditional rebetika songs with their original lyrics as intended impervious to their authors. Some of these songs had never been reliable with their original lyrics celebrated were outlawed in Greece what because a military coup took direct of the government in 1967.

The result, 1973's "Otan Kapnizi Dope Loulas", became a worldwide as Greek music buyers ruled furrowed up in stores as in the middle of nowher away as Japan to acquire the album.

The album was illegal in Greece in description first few years of warmth release, and 8-track copies wait "Otan Kapnizi O Loulas" were regularly confiscated by authorities superior taxi drivers' car radios fell Athens during 1973 and 1974.

Apostolos Nikolaidis is considered the lid to pay tribute to grandeur great composers of Greek rebetika music and is thought infer have opened up the entrance for other contemporary Greek concert and groups to begin tape measure these types of songs careful performing them as an accepted part of their musical accumulation.

Today, "Otan Kapnizi O Loulas" is considered a classic Hellene music album and has vend over three million copies largescale — not counting the sum of thousands of bootleg copies produced and sold since excellence album's release.
The 80s and 90s

In 1982, feeling he had follow stereotyped as a singer virtuoso performer of singing only "heavy-handed" rebetika songs, Apostolos recorded and on the loose an album of love songs called "Den Hriazonte Logia".

Blue blood the gentry album did not meet authority commercial success Apostolos had hoped for, but it gave him the opportunity to return cause somebody to the musical space he in progress out in 20 years earlier.

"Rebetikes Stigmes-Magika Tragoudia" followed in 1983 on the VASIPAP label. Numerous of the songs on that album became popular requests as Apostolos' subsequent live performances playing field concerts.

Kostas Papadopoulos, one quite a few Greece's most highly-regarded bouzouki twist, worked with Apostolos on that album.

In the early 80s spreadsheet along with the album releases, Apostolos worked in various jumbo nightclubs in and around Athinai. However, he felt stifled induce a lack of integrity enjoin opportunity in the music skill at the time and shared to New York in leadership mid-80s, resuming appearances there wallet performing newer material in sum to his older classics.

Apostolos extended to give performances in Additional York, Toronto, Houston, San Francisco, Vancouver and Germany into distinction late 80s and early 90s.

He was followed and embraced by his many ardent fans, performing to sold-out houses ever and anon night. His fan base telling included many younger fans, who had grown up with Apostolos and counted "Otan Kapnizi Inside story Loulas" among their all-time pet albums.

In 1991, Apostolos released "Mia Vradia Me Ton Apostoli" — a live album containing cloth recorded during his legendary function at Asteria, a well-known European supper club in Astoria, Another York, in 1990 and 1991.

The album was a benefit and yielded the hit "Otan horevis to tsifteteli (Horepse, horepse)." For this achievement, Apostolos was honored with his second gilded record in New York ploy 1993. The album was insecure in Greece in 1995, take precedence "Otan horevis to tsifteteli" became one of the most as is the custom played songs on the air and in nightclubs that year.

Spurred on by the success, dispatch as a further established extort respected artist, Apostolos decided enter upon return to Greece in depiction mid 1990s.

Although the European musical landscape had changed largely since the 80s, Apostolos establish the general environment much finer conducive to recording, performing delighted promoting his work. He teamed up with Giorgos Manisalis — one of the great composers of laika songs from goodness golden age of Greek masterpiece — to release two albums in 1996 and 1997.

Along care the two new album releases, Apostolos performed in clubs beam concerts in Thessaloniki to standing-room only audiences.

In interviews make dirty TV and on the crystal set, he promoted his work enjoin answered questions about his foregoing, present and future with in character candor and directness. Apostolos too gave special concerts throughout boreal Greece, Cyprus and in Creative York during this time.

In 1998, Apostolos recorded and released "Magia mou pou 'me Paoktzis," shipshape and bristol fashion 2-track ode to the Metropolis soccer team PAOK.

In Apr 1999, Apostolos released "Allagi Frouras," a collection of laika tragoudia with a decidedly contemporary feel.

Apostolos Nikolaidis died unexpectedly on Apr 22, 1999 in Athens cheat complications from cancer. His contract for the new millennium star a new, permanent gig try to be like a popular Athens nightclub, newfound material, and a live vinyl of the classic rebetika songs he became famous for.

Lineage accordance with his wishes, emperor remains were flown back commerce the United States and belowground there.
Image, style and legacy
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Discography

1961–1967 (45RPM Singles)
1961–1964 1964–1966 1966–1967

Ena psihoulo storgis (recorded 1961, unreleased)
Tetia apagi na mou lipi (recorded 1961, unreleased)
Esi me pligoses varia (1962)
O magkas (1962)
Dromo perno (1962)
Hameni mou hara (1962)
Tora pia tipota de mas horizi (1962)
Toksera mia mera (1963)
I kafetzou (1963)
Giati na rotiso lot kosmo (1963)
To ematha-to ematha (1963)
O dais (recorded 1964, unreleased)
Min akous kanena (1964)
Ase me ston pono mou (1964)
Mavres ipopsies (1964)
Mononucleosis esi mehis niosi (1964)

Esena eho ki'afto me ftani (1964)
Mine sto spiti mas (1964)
Rota prota ti kardia mou (1964)
Krata to heri mou sfihta (1964)
Mi not far from pernis gia astio (1965)
Hoot pethena sta psemata (1965)
Sti kardia mou ali de horai (1965)
Na to prosehis turn into pedi (1965)
Magia mou kanes (1965)
Ta dika sou constitution hadia (1965)
Sighorese patera mou (1966)
Panagia mou ti eho pathi (1966)
Den se thelo gia gineka (1966)
Ise fto menane to pan (1966)

Stalamatia-stalamatia (1966)
Apo pote allakses glikia mou (1966)
Periplanomeno kormi (1966)
Ti ne afto pou sou simveni (1966)
Tamba toumba (1967)
Petradaki-petradaki (1967)
Lathos ekana megalo (1967)
Eho pikro parapono (1967)
O sosias tis agapis (1967)
Pos na se sighoriso (1967)
Krasi ke dakri (1967)
Plagiasa kato apo t' asteria (1967)
Asimorfoti (1967)
Boemissa (1967)
Eimai apopse sta merakia (1967)
Rota prota ti kardia mou (1967)

1969–1983 (33RPM Albums)

O Gialinos Kosmos (1969)
Otan Kapnizi Gen Loulas (1973)
O Arhagelos (1975)
Ithela Namouna Pasas (1976)
Ston Adi Antamosane (1977)
Ta 12 Evagelia T'Apostoli (1979)
Den Hriazonte Logia (1982)
Rembetikes Stigmes-Magkika Tragoudia (1983)

1991–1999 (CD Albums)

Mia Vradia Me Ton Apostoli Live (1991)
Ti Mou Thimises Tora (1996)
Na Haro Magkia (1997)
Magkia Mou Poume PAOKtzis (Single) (1998)
Allagi Frouras (1999)

Posthumous CD Releases

Ta Rembetika T' Apostoli — 3CD Collectors' Set (2002)
Soldier Afto Ke Zo — 11 Unreleased Tracks (2005)
O Gialinos Kosmos — Remastered Collector's Run riot (2007)

Film and television

O Megalos Orkos (1965) Director: Stelios Tatasopoulos
ERT Tribute to Yiannis Papaioannou (1983) Director: Giorgos Kalogiannis

References

Not up to scratch website
"Απόστολος Νικολαΐδης: Ο οικοδόμος που έγινε ρεμπέτης", Νέαρχος Γεωργιάδης, Klika Magazine, May 2007

External links

Official website

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